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Upcoming appearance: Fan Studies Network North America 2023

Something different for me: I’ve coauthored a poster/presentation (“Faking and Re-Making: The Use of Emotional Responses and Creative Resonances in Communal Multimedia Storytelling”) with Dr. Naomi Jacobs and Shivhan Szabo that’ll be presented tomorrow, October 15, at Fan Studies Network North America 2023!

It’s connected to my overall recent move toward academic pursuits (that I should, uh, really write a post about…), but a big reason to drop in to this virtual conference if you have the chance is that our “poster” was invited to be multimedia… so, naturally, we decided to write a text game:

8-bit image of a pirate ship in a storm. The title read "Build the Spear" -- the image of a spear is underlining the title. The subtitle reads "A demonstration in faking and re-making real feelings for an imaginary work". The author names are at the bottom: Katherine Crighton, Dr. Naomi Jacobs, and Shivhan Szabo.

Folks who attend the conference will have first shot at reading/playing “Building the Spear,” where:

The year is 1718…

…And this is the world of Blow the Man Down, where clever pirate captains Olivier Levasseur and Sam Bellamy, each pursuing the same vast treasure of Spanish gold, meet up and—through storms, enemy fleets, and their combined delight in codes and hidden messages—eventually fall in love.

You, though, are just a simple pirate who’s woken up in a strange place—and with no idea who you are or how you got there. Through your choices, you piece together your memories…and create your own place within the BTMD universe.

(For those who listen to the No Story Is Sacred podcast, we talked extensively about Blow the Man Down there as well, including its origin as an element in an alternate-universe game.)

Naomi, Shivhan, and I intend to link the game-poster and presentation publicly afterward, but if you want to see yours truly live (and have a chance to share your game results early) FSNNA 2023 is the way to go.

(Image credit: Image by Fan Studies Network North America)

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Upcoming appearance: Readercon (updated)!

My schedule for Readercon 32 is ready to go! As mentioned in an earlier post, it’s taking place July 13 – 16 at the Boston Quincy Marriott in Quincy, MA, with Guests of Honor Jeff VanderMeer and Justina Ireland. I absolutely recommend registering and attending if you can. Previous years’ schedules can be seen (and drooled over) here: https://readercon.org/readercon_past

I also have my first ever…

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Upcoming appearance: Readercon (updated)!

My schedule for Readercon 32 is ready to go! As mentioned in an earlier post, it’s taking place July 13 – 16 at the Boston Quincy Marriott in Quincy, MA, with Guests of Honor Jeff VanderMeer and Justina Ireland. I absolutely recommend registering and attending if you can. Previous years’ schedules can be seen (and drooled over) here: https://readercon.org/readercon_past

I also have my first ever Kaffeeklatsch! “A kaffeeklatsch is a low-key, wide-ranging conversation hosted by one or two program participants for up to 12 fans. It gives you an opportunity to interact directly with writers, editors, and other estimable personages you admire. Spaces are limited, so sign up early in the weekend.” God only knows what I’d talk about, but pretty certain I’m gonna be weird about it! 👍👍

I am over the moon about my schedule — check it out:

How Can Short Story Authors Build an Audience?
Format: Panel | Salon 4
14 July 2023, Friday 3:00 PM EST

Short stories today are published across a wide variety of media, formats, and imprints. As a result, writers specializing in short stories have difficulty connecting with and building an audience over time. How can you find the people who enjoy your work, and how can they find you in a cost-effective way? We will discuss short story collections, social media, conventions, and other ways of finding and keeping in touch with our favorite short fiction writers.

Arley Sorg, Christopher Mark Rose, Katherine Crighton, Scott Edelman, F. Brett Cox (mod)

Excavating the Slush Pile
Format: Panel | Salon B
15 July 2023, Saturday 1:00 PM EST

Many small press and magazine publishers rely on volunteer “slush” readers for the first review of submissions. What are best practices for slush reading, and what issues and challenges face these volunteer readers? Do “blind” submissions policies help or hinder the #OwnVoices movement? How do slush readers handle controversial or triggering content without excluding marginalized voices? Must a story be appealing to the slush reader in order to earn a second set of eyes, or merely engaging?

Alex Shvartsman, Katherine Crighton, Leon Perniciaro, Neil Clarke, Scott H. Andrews (mod)

Career Promotion for Pseudonymous Writers
Format: Panel | Salon B
15 July 2023,Saturday 9:00 PM EST

Some writers use pseudonyms to keep their private and public lives separate. Others use them to differentiate their works in different genres. All professional writers need to bring their works to the attention of readers, but how should one go about doing that when one can’t, or doesn’t want to, pin it to one’s established name? A conversation with Elaine Isaak (E.C. Ambrose) and Katherine Crighton.

Elaine Isaak and Katherine Crighton

Space: The Ultimate Locked Room
Format: Panel | Salon 3
16 July 2023, Sunday 10:00 AM EST

Add “…but in space” to “locked room mystery” and you make the stakes even higher. From Tade Thompson’s Far From the Light of Heaven to Mur Lafferty’s Station Eternity to Mary Robinette Kowal’s The Spare Man, contemporary authors embrace and explore this collision of tropes, but what are the thematic implications?

Elizabeth Bear, Robert Killheffer, Sarah Pinsker, Shweta Adhyam, Katherine Crighton (mod)

Kaffeeklatsch: Katherine Crighton
Format: Kaffeeklatsch | Concierge Lounge
16 July 2023, Sunday 12:00 PM EST

Serial Fiction: Everything Old Is New Again
Format: Panel | Salon 3
16 July 2023, Sunday 2:00 PM EST

Present-day serialized fiction can be found as webnovels in China and on English-language sites like Royal Road; on platforms like Patreon, WattPad, and Inkitt; and as sequential art designed for mobile apps like Webtoon—among many others. Meanwhile, classic fiction is finding new readers through email newsletters like Dracula Daily. What opportunities does the serialized format offer authors and readers? And how has the proliferation of platforms affected authors, readers, and their communities?

Katherine Crighton, Sarah Smith, Kat Nepveu (mod)

(Image credit: Image by 愚木混株 Cdd20 from Pixabay)

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Upcoming (and, whoops, prior) appearances: SFWA Nebula Conference and Readercon

So in keeping to true ridiculous form, I have both a conference I will be at and one I was just at. Let’s get the old one out of the way first–

SFWA‘s 2023 Nebula Conference Online was a hybrid event held in Anaheim, CA, and over Zoom, which is fortunate because I? Am not in Anaheim. The majority (or possibly all?) of the panels were recorded; you can still register and get access to them until…

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Upcoming (and, whoops, prior) appearances: SFWA Nebula Conference and Readercon


So in keeping to true ridiculous form, I have both a conference I will be at and one I was just at. Let’s get the old one out of the way first–

SFWA‘s 2023 Nebula Conference Online was a hybrid event held in Anaheim, CA, and over Zoom, which is fortunate because I? Am not in Anaheim. The majority (or possibly all?) of the panels were recorded; you can still register and get access to them until they’re removed for next year’s conference. I only appeared on one panel, but I’m proud as hell about it:

Neurodiversity and Writing: There’s No One Correct Way to Write Format: Panel (Virtual)

13 May 2023, Saturday 6:00 PM PST

Neurodiverse authors have always been around. However, some of the most famous writing advice out there — such as put your butt in a chair and write, or write 1000 words a day — can actually be harmful to or counterproductive for neurodiverse writers. In this panel, a group of neurodiverse authors will share writing advice that works for them and may also work for other writers who are autistic, have ADHD, anxiety, dyslexia, bipolar disorder, or other diverse ways of experiencing the world.

Vida Cruz-Borja, Maria S. Picone, Clara Ward, Katherine Crighton, Jason Sanford (mod)

…and upcoming, I have:

Readercon is an old favorite and always deeply insightful and interesting– it’ll be taking place July 13 – 16 at the Boston Quincy Marriott in Quincy, MA, with Guests of Honor Jeff VanderMeer and Justina Ireland. I don’t have my schedule yet — KEEP AN EYE OUT for an update on that — but I absolutely recommend registering and attending if you can. Previous years’ schedules can be seen (and drooled over) here: https://readercon.org/readercon_past

(Post banner image credit: Sakari Niittymaa from Pixabay. Nebula Conference image credit: “Nebula Star Deity” by Lauren Raye Snow.)

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Upcoming appearance: Readercon!

Picture by Voldrag on Pixabay

Join me at Readercon (August 13-15, 2021), gone virtual and running for the low weekend price of $25 this year. It’s a conference on imaginative literature that focuses almost exclusively on the written work, and I’ve loved it for years.

I’m also on a couple of panels this year, and moderating one of them, so you’ve got plenty of opportunities to either see me via…

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blog, news

Upcoming appearance: Readercon!

Join me at Readercon (August 13-15, 2021), gone virtual and running for the low weekend price of $25 this year. It’s a conference on imaginative literature that focuses almost exclusively on the written work, and I’ve loved it for years.

I’m also on a couple of panels this year, and moderating one of them, so you’ve got plenty of opportunities to either see me via Zoom or watch the panels after the fact. The topic I get to talk about are amazing, and I’m delighted by the panelists I get to spend time with.

My schedule is below:

Reading Fantasy Through a Motif Index Lens Format: Panel

14 Aug 2021, Saturday 11:00 AM EST – Main Track 1

Folklorists use motif indexes to catalog and analyze folk tales from around the world. The existence of TV Tropes suggests the need for new motif indexes that fit new forms of literature, but we can also apply folklore motif indexes to 21st-century fantastical fiction. Which motifs have had staying power for hundreds of years, and what other expected or unexpected patterns do we find? What does treating fiction as folklore bring to the reading experience?

Katherine Crighton, Stephanie Feldman (mod), Jeffrey Ford, Karen Heuler, L. Penelope

Content Tags: Implementation, Accommodation, and Ancillary Art Format: Panel

15 Aug 2021, Saturday 4:00 PM EST – Main Track 2

The increased prevalence of content tags has lead to growing questions around implementation. Useful for accommodation, content tags are also deployed on dynamic platforms such as AO3 to warn, advertise, and joke, becoming extra-diagetic material that is enjoyable on its own terms while providing meaningful context for the work. Still, there is a divide between those who want them and those who find them objectionable. How do content tags enhance and complicate reader experience, and what are emerging best practices that bookstores or publishers could adopt?

Katherine Crighton (mod), Gillian Daniels, Foz Meadows, AJ Odasso, Megan Whalen Turner

(Image credit: Image by Voldrag on Pixabay )